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Organized as the Actors Workshop in 1983, it originally functioned as the education committee of the Katipunan ng mga Artista ng Pelikulang Pilipino (KAPP) aka Filipino Screen Actors Guild, conducting regular workshops for KAPP’s member- actors, professional extras, and bit players.

In May 1985, the Actors Workshop became a private foundation and opened its doors also to nonprofessional actors and other acting enthusiasts.

He received the Natatanging Gawad Urian in 1983 for his outstanding contributions to Philippine cinema, and the Film Academy Achievement Award in 1992. Pareja ACTORS WORKSHOP FOUNDATION (AWF) A nonstock, nonprofit foundation, the AWF aims to provide training to actors through workshops.

Its centerpiece project is its AWF Scholarship Program for Young Actors which provides selected talents a year-long curriculum and training in acting. The film broke box-office records and helped Sampaguita Pictures rise again after a big fire gutted its studio. Nolasco ’s Siete Dolores (Seven Sorrows) and Mga Busabos ng Palad (Slaves of Fate), 1948; Eddie Infante ’s Ina (Mother), 1948; and Tony Arnaldo’s Anak ng Pulubi (Child of a Beggar), 1951.

At one time, AWF produced a 30-minute daily TV drama called Wakasan which served as a practicum for workshop participants. She became the most popular child star of the decade of the 1950s, sharing top billing with major stars, such as Pancho Magalona and Lillian Leonardo in Anghel ng Pag-ibig (Angel of Love), 1951; Gloria Romero in Rebecca and Ramon Revilla and Sylvia La Torre in Ulila ng Bataan (The Orphans of Bataan), 1952; Katy de la Cruz and Norma Vales in Cumbanchera, 1953; and Fred Montilla in Nagkita si Kerubin at si Tulisang Pugot (Cherubim Meets Headless Bandit), 1954. Aguirre made her screen debut in Sampaguita Pictures ’ Himagsikan ng mga Puso (Revolt of the Hearts), 1938, which was based on the novel by Julian Cruz Balmaseda, Tala ng Bodabil (Star of Vaudeville). During the 1950s she was an exclusive contract star of LVN Pictures for mother roles in films like Pag-asa (Hope), 1951; Tia Loleng (Aunt Loleng), Tenyente Carlos Blanco (Lieutenant Carlos Blanco), and Matador (Bullfighter), 1952; and Tumbalik na Daigdig (Topsy-Turvy World) and Sa Paanan ng Bundok (At the Foot of the Mountain), 1953. She is the eldest child of Bernardino Alatiit of Roxas City and Angelica Liguid of Cavite. After high school, she took a one-year course on tourism and travel at the Centro Escolar University.

He studied at De La Salle Greenhills from grade school to high school.

Abaya and Catalina Roxas, he is married to movie director Marilou Diaz-Abaya with whom he has two children.

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