During the courtship process, a traditional Filipina is expected to play "hard to get", to act as if not interested, to be not flirty, and show utmost restraint, modesty, shyness, good upbringing, be well-mannered, demure, and reserved despite having great feelings for her admirer; a behavior culturally considered appropriate while being courted.
This behavior serves as a tool in measuring the admirer's sincerity and seriousness.
However, this type of admirer could overcome his shyness and naivety by asking for the help of a "tulay" (Filipino for "Bridge", whose role is similar to that of the Wingman in Western Cultures), typically a mutual friend of both the suitor and the admired, or a close friend of both families.
Through this "human-bridge", the bachelor can also ask permission to visit the woman at home from the bachelorette's father.
The Filipino girls are young, beautiful and dedicated to having a serious life partner and family to an extent that most men can only dream about.
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This is when the formal introduction of the man's parents and woman's parents happens.
This serenading practice was an influence adopted by the Filipinos from the Spaniards.Apart from the general background explained above, there are other similar and unique courting practices adhered to by Filipinos in other different regions of the Philippine archipelago.In the island of Luzon, the Ilocanos also perform serenading, known to them as tapat Rooster courtship is also another form of courting in Luzon.After the girlfriend-boyfriend stage, engagement, and marriage follows.With regards to the engagement and pre-marriage stages, Filipino tradition dictates that the man and his parents perform the pamamanhikan (literally, a Tagalog word that means "to go up the stairs of the house" of the girlfriend and her parents; pamamanhikan is known as tampa or danon to the Ilocanos, as pasaguli to the Palaweños, and as kapamalai to the Maranaos and blessings from her parents in order to marry.